This post originally appeared a year ago but as we are having our Coven Chat about the series on Friday, we are re-posting it now. -CBC
A few weeks ago, Allison, Alyssa and I talked about the liminal space between YA and adult fantasy, particularly highlighting books we thought were more adult-oriented that had been classed by publishers, bookstores, or other bookish organisations as YA. Today I’m recommending a series that fits into that liminal space. It’s a firmly YA series, about a group of teenagers struggling with the demands of school (including finding the funds for university), troubles with parents (ranging from healthy rebellion to abuse and bereavement), and other themes that place it solidly in the young adult category.
In Maggie Stiefvater’s The Raven Cycle, Blue Sargent is the only woman in a house full of psychics with no supernatural ability. She’s distressingly normal, except for one thing: everyone who has ever read her fortune has told her that if she kisses her true love, he will die. When she meets a group of boys from a nearby prep school, she doesn’t consider herself at particular risk of falling in love with any of them – but she adheres to her strict no-kissing-just-in-case policy, regardless. Over time, however, she becomes wrapped up in their quest to find the tomb of the Welsh prince Glendower, befriending and coming to care for them and, just possibly, falling in love with one of them.
Although many of the themes are quintessentially YA, it’s also a series that I think would appeal to a lot of adult readers who have either been hesitant about trying YA or who have read a few YA books and found them not to their tastes. For one thing, the adult characters are given as much care and attention as the teens. Rather than being relegated to the periphery or antagonistic roles, as they so often are in YA fiction, the adults in this series are not only fully-developed characters, but also people who affect and are affected by the plot. They even get their own POV scenes at times, a rarity in YA books.
The use of multiple POVs is another way in which this series has a more adult feel than a lot of YA, which is so often told from a close first-person perspective. Though most scenes are told solidly from a particular character’s perspective, there are times when the narrative veers into third-person omniscient, as well as relating events from the perspective of a minor character, such as the wife of one of the teachers at the boys’ school. It’s a narrative choice many readers of adult fiction will be more familiar with than those who stick to the YA section, though I think it serves this story well.
The pacing, too, is more adult than YA, particularly the first book. It crossed my mind at one point around halfway through that, if pressed, I’d struggle to summarise what had actually happened so far, and yet I was utterly absorbed in the story. The small interactions between the characters, the magical quality to their pursuit of the Glendower myth, all these subtle elements create an overall atmosphere that draws the reader in.
The series’ strengths aren’t only in the ways it appeals to adult readers, of course. As I said before, it is a solidly YA series, and a wonderful one at that. It features rich, mythical world-building whose magic is enhanced by the real-world setting. It’s also the first YA book I’ve read since The Princess Diaries where the protagonist is not only an outspoken feminist, but one identified as such by herself and other characters.
Nicola lives and reads in Edinburgh, Scotland, where she’s eagerly awaiting the release of The Raven King. If you want to get in touch, your best bet is Twitter.