Allison: I’m so excited to talk about the way The Remnant Chronicles wrapped up with you both. We’ve had so many conversations about these books over the last year. I was on vacation when I started The Beauty of Darkness and I had a tough time putting it down.
In terms of the adventure, I was a little so-so on things in this book, especially towards the end. There were parts I was really into, and others kind of dragged for me. The strong character development is what kept me reading. By no means do I feel that the pace lagged or at any time that I became disinterested in the book.
Nicola: I said this about The Raven Cycle a couple of weeks ago, but it applies to The Remnant Chronicles, too. In all three books in the series, I sometimes feel like almost nothing is happening in terms of the overarching plot, and yet I’m still completely engrossed in the story for the characters and their world. I think that displays real skill as a writer, as there are few who can pull this kind of thing off without me getting antsy for more action.
Alyssa: Yes, that’s a great comparison! Like with The Raven Cycle, I was more interested in the characters and their relationships than in the overarching plot. I love the world-building and multiculturalism in this series, too, and how the characters’ identities and relationships evolve because of their adventures in Morrighan, Dalbreck, Cam Lanteux, and Venda.
My only gripe with the world-building is that I wish I understood the mythology better. I’m still a little confused about how the excerpts from sacred texts, such as The Last Testaments of Gaudrel, relate to the series’ main plot. I’d like to read Morrighan because maybe it would explain that backstory for me, but I still wish the excerpts made more sense to me.
Allison: I also wish I’d understood a bit more about the world-building. I haven’t read Morrighan either, so I wish it had been integrated into the text. However, it reminded me a little of a series I read when I was a child, The Darkangel Trilogy, where there’s a “past” that isn’t remembered by those in the present day of the text, but it informs the way the world-building works. We get to know some things about the ancient people, but not all and that fact is integral to the plot of the story. It works for me.
My only real complaint with The Beauty of Darkness was that the multiple POV got weird for me. I don’t know. It’s not that I couldn’t “tell the difference” between the voices, but that at a certain point I was a little overwhelmed by them. I didn’t have this problem so much in the other books, so I was a little surprised. This might be me as a reader though.
Nicola: I was going to say exactly the same thing! I think it worked really well in the first book, because we’re not meant to be able to tell which of the two boys is the prince and which is the assassin (for the record, I was convinced Kaden was the prince), and their POV chapters tended to be short and to-the-point. I think what bothered me about the multiple POV in this book was that I did get a little confused as to whose head we were in at any given time, and sometimes the narrative seemed to jump back in time so we could read the same thing from someone else’s POV, which was rather jarring.
Alyssa: The multiple POV didn’t bother me for the most part–except during the battle scene at the end, when numerous multiple POV were in a chapter. Each POV was very short and that was a bit jarring.
Allison: Overall, I think the multiple POVs benefitted the series. It was cool to see how both Lia and Rafe change as they take more responsibility for themselves and that the ending isn’t some “pat” thing where one of them gives up their kingdom for the other. I do think it’s a little hard to see how they’re going to make things work, but I like the idea that they’ve both done things that were unimaginably hard and that they’re willing to work hard to be together, rather than being miserable apart. That’s a relationship I’d read about again!
Nicola: I actually really loved that it’s not exactly clear how they’re going to make things work. I think it’d be hard to come up with a solution that’s not too neat or cutesy, so by leaving it open like that we can see that they’ve done the important character development work of reaching the point where they are both committed to their kingdoms AND to each other, but without trying to tie it into a neat little bow.
Alyssa: Yes, I loved how Lia and Rafe’s relationship evolved throughout the series. While I was always hoping that they’d overcome all of their obstacles to be together–and I’m happy they did in the last two pages!–I also had reservations and conflicting feelings about their romance. I’m glad they spent time apart–and were not weakened or devastated by their separation–and that they didn’t give up their kingdoms and their other responsibilities to be together.
I also appreciate that Lia and Rafe were not always perfect for each other, and they still might not be. The ending is hopeful and romantic but feels realistic, too, and I don’t think it would have been tragic if they hadn’t gotten together in the end. I was 99% sure Rafe would show up–even when I only had three pages left!–but I was more excited about Pauline and Kaden’s romance by then.
Allison: Pauline and Kaden! This was a good match from my perspective. I love how it came together. It really made sense for me. It was slow and steady and I appreciated the way that Kaden’s vision came to pass. That was fantastic and just the way I always imagine prophetic stuff going: you see something, but it doesn’t happen at all the way you thought it would.
Nicola: Yes! I was really rooting for them as a couple.
I also loved the development of Lia’s relationship with her parents. From the start of the series, it’s clear she has a very close relationship with her brothers, but she has a much colder relationship with her parents, and I really liked seeing more background into why they made the choices they did with her upbringing, especially her mother. A lot of teenagers attribute nefarious motivations to their parents’ deeds, so although Lia’s stakes are higher it was a nice little reflection of rather typical teenage thought processes for Lia to assume the worst of her mother when in fact her mother is only trying to protect her.
Allison: I was also really interested to see more of Lia’s parents in this book. In the first book they’re positioned as very unfeeling and it was interesting to see how the political plot line interfered with Lia’s personal relationship with her parents. I wasn’t expecting a lot of the “reveals” in terms of both her mother and father in this book.
Alyssa: Yes, Lia’s reconciliation with her parents really strengthened the series’ ending. Not just because of the necessity of her homecoming after a long absence, but because we get an even better sense of how much she’s matured since The Kiss of Deception. In many ways Lia’s still the runaway princess we fell in love with, who defied her duties and chose her own destiny, but she’s also less selfish, more responsible, and more empathetic.
Allison: I love who Lia became over the course of the series. I love that she started as someone with substance and grew into someone with adult concerns and feelings. In fact, I like that all the characters grew so much. This is the benefit of the multiple POV. We get to see the inner-workings of each character and I think that Pearson does this well.
Nicola: Yeah, it feels like the characters started the series as teenagers and ended it as adults, and while the multiple POV thing didn’t quite ‘work’ for me I did appreciate being able to see into the characters’ minds and to understand their motivations.
Allison: Thanks everyone for joining our discussion of The Remnant Chronicles. Our next Coven Chat will be about Sarah J. Maas’ Empire of Storms, and the Throne of Glass series.